The B-25 Mitchell Videos, DVD Movies and World II Pictures. 

Reprint of official government issue pilot’s handbook for models B-25C and D with a  25 page forward on the history and modifications to the B-25. Handbook covers  general description, pilot’s operating instructions, flight operations data, navigator’s  radio, gun turret, bomb bay compartments, etc. System diagrams, interior photos  and operational tables. 141 illustrations, 109 pgs. 8½"x 11", sfbd.

This would be great for your collection

B-25 Mitchell Bomber.
Roaring Glory Vol. 2 - DVD movie.

The Doolittle Raid on Tokyo forever enshrined this twin engine bomber in history. Go along in the left seat with a full crew to see what it was like to fly. DVD movie. 

This is the official Army Air Force film telling the story of the 14th Air Force in China.  Covers the Flying Tigers in their P-40s, B-24s and B-25s covering the shipping lanes  running from Japan to the southwest, and Japan's 1944 Great East China offensive. A  wonderful video of the military history of the desperate battles in China, documenting the defeats as well as the victories. Also includes "My Japan" bonus film portraying the Japanese viewpoint for going to war. 58 min.

Running time 57 min. Three films with exciting footage on three of our most famous  medium bombers. Each film is a complete checkout. Covers ground and cockpit checks, take-offs, landings, stalls, piloting techniques, emergency procedures, single engine flying, etc. Flight Characteristics of the A-20 (B&W, 19 min.) How to Fly the  B-25 bomber (B&W, 21 min.) A-26 Flying Tips (B&W, 15 min.).

Amazon.com 
                     Joseph Heller's novel was one of the seminal literary events of the 1960s, but Mike Nichols's film ultimately proved too literal in its attempt to bring Heller's fragmented fiction to the screen. Still, Nichols, who made this on the heels of The Graduate, seemed the ideal candidate to tackle this Buck Henry adaptation. The story deals with bomber pilot Yossarian (Alan Arkin), who has flown enough  missions to get out of World War II but can't because the number of missions needed for discharge keeps getting raised. The satire and  absurdity of Heller's book get lost in Nichols's effort to give screen time to the members of his all-star cast, which includes Orson Welles,  Jon Voight, Bob Newhart, Anthony Perkins, Richard Benjamin, and Martin Sheen, among others. --Marshall Fine.
Movie Suggestion by Ron Lapp, Winnipeg, Manitoba, Canada.

http://www.flyboy.nl/~b25Suggestion by Coert Munk

Amazon.com essential video of a World War II test pilot. 
A surprise sleeper hit when released in 1992, this romantic fantasy works as a comedic adventure and a gentle tearjerker thanks to Mel Gibson's appealing performance. He plays Daniel, a daring test pilot who is deeply distraught by the apparent death of his girlfriend,  Helen, in 1939. Feeling little reason to live, he volunteers for a pioneering cryogenics experiment and is thawed out 50 years later by two  young boys. They bring the confused pilot home to Nat's single mom, Claire (Jamie Lee Curtis). There's a hint of romance, but Daniel desperately needs to know if Helen really died in 1939, and he discovers that love has a way of surviving a half-century leap in time. The  premise is hokey and certain plot details are conveniently ignored, but Gibson, Curtis, and Elijah Wood (as Nat) hold it together with irresistible charm and just the right balance of fantasy and drama. -- Jeff Shannon. 

This is an exciting portrayal of the first American attack on Japan in World War II. Featuring Spencer Tracy as Gen. Doolittle and with Oscar-winning special effects,  this is a faithful, dramatic and memorable account of the B-25 Mitchell raid on Tokyo.
There is no more ringing title among World War II movies than Thirty Seconds over Tokyo, and the mission it celebrates was  unquestionably historic: a 400-mile bombing raid to carry the war to Japan itself mere months after that nation's sneak attack on Pearl  Harbor. Yet the film is less memorable than many World War II pictures with less exalted factual basis. At the time, critic James Agee eloquently  defined both its virtues and limitations as "a big-studio, big-scale film, free of artistic pretension ... transformed by its not very imaginative  but very dogged sincerity into something forceful, simple, and thoroughly sympathetic in spite of all its big-studio, big-scale habits." That  remains true today, but perhaps the movie--and its unimpeachably noble, admirably life-sized characters--wouldn't seem so stuck in the  amber of a bygone era if Mervyn LeRoy and company had pumped a little "artistic pretension" into it.